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I began to look at Brutalism not only from an architectural viewpoint but also as a form of art that extends far beyond buildings. What does Brutalism mean? Is it just an architectural movemenNigel Henderson, particularly his curatorship of the Parallel of Life and Art exhibition, inspired this project. His work and the exhibition particularly inspired me.  Untitled from Henderson's Parallel of Life, the collage reminds me of home, when I see decaying concrete buildings and large ruins. It also brings back memories of a time when I felt the most free and alive. No matter how chaotic life may be, I can still appreciate its beauty and complexity.

    
       

 "Brutalism beyond architecture" is my first project for my BA in Photography. This project demonstrates the beauty of nature's decay and the complexity of life. It also demonstrates how raw/concrete is not just a material to build with, but a material with its own unique aesthetic. This project is a reflection of my own personal emotions and experience with nature, as well as a way to show the beauty of the world in its rawest form. Prior to knowing what the project would be, I spent a lot of time shooting without a purpose, a motive, or a plan. During the first two weeks, I shot four rolls of film and discovered my fascination with brutalist architecture. In fact, I've been fascinated by Brutalism architecture ever since I was a child. I lived in what we call "Panelka" aka concrete buildings during my childhood, and especially in Sofia during those days, such buildings dominated the city. Later that week, I ended up at the Royal Botanic Gardens by accident. Since I had my camera with me, I was able to take some photographs. After developing two more rolls of film in the darkroom, I began to wonder whether I should concentrate on architecture or nature. In addition, my tutor pointed out that the plants were indeed raw, so they would go well together. During my research into Brutalism, I discovered Nigel Henderson's work. This inspired me to see the two ideas together and find the connection.

This project required the submission of physical prints that had been made by enlargers in a darkroom.